b. Harrisburg, Pennsylvania |
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EDUCATION | ||
MFA, Painting, San Francisco Art Institute BA, American University, Washington DC Corcoran College of Art and Design, Washington DC |
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SOLO EXHIBITIONS | ||
2024, American University Museum, “in the center thereof rose a fountain”, Washington DC 2023 Page Bond Gallery, “Near Light”, Richmond VA 2022 Addison Ripley Fine Art, “mirror of the floating world”, Washington DC 2019 Addison Ripley Fine Art, “Knocking on the Moonlit Door”, Washington DC 2016 Addison Ripley Fine Art, "in snow , blossom" , Washington DC 2014 Addison Ripley Fine Art, “All Things Vanish”, Washington, DC 2013 Page Bond Gallery, “Spheres of Influence”, Richmond, VA 2011 The Judy Saslow Gallery, “Circular Motion”, Chicago, IL 2009 The Ralls Collection, “Close to Home”, Washington, DC 2004-2005 The Ralls Collection, “Full Circle”, Washington, DC |
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TWO-PERSON EXHIBITIONS | ||
2020 American Center for Physics, “Synergy Unbound”, College Park, MD |
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SELECTED GROUP EXHIBITIONS | ||
2024-2025 The Kreeger Museum, “The DMV Collects the DMV”, Washington DC |
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TEACHING POSITIONS | ||
2020 - present Teaching Independently (Advanced Studio Practice, Critique and Painting) 2010-2020 Corcoran School of Art and Design at GW University, Washington DC, Adjunct Faculty, Painting 2012 Washington Studio School, Washington DC, Painting 1999-2001 San Francisco Art Institute, San Francisco, CA, Painting |
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PUBLIC COLLECTIONS | ||
PricewaterhouseCoopers, Washington DC |
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PRESS/ESSAYS | ||
2024 Mark Jenkins, “Through a Glass Starkly”, Substack, December 4 2022 Mark Jenkins, Washington Post, “The unity of circles amid melting and melded colors”, October 9, 2022 2021 Studio Visit, Open Studio Press, Boston, MA, Vol.49 2020 Essay by Sarah Tanguy, Synergy Unbound Catalog, American Center for Physics 2019 Mark Jenkins, "Summer Shows”, The Washington Post, August 9, 2019 2016 Mark Jenkins, " 'Ambient' Art that demands to be seen", The Washington Post, November 27, E3 2016 Holly Mazar-Fox, "Refresh and Repeat", DC Modern Luxury, October issue, pg.52 2016 Studio Visit, Open Studio Press, Boston, MA 2011 Stephen May, ARTnews, Summer Issue, pg. 129 2009 Essay by Sarah Tanguy, Mira Hecht/New Work, Ralls Collection 2009 Stephanie Miller, ARTnews, September, pg. 122 2009 John Blee, The Georgetowner, May 6, pg. 20 2008 Studio Visit, Open Studio Press, Boston, MA, Vol. 5, pg. 68 2005 Dawson, Rebecca, The Washington Post, Friday February 4, pg. 44 2002 Zimmer, William, “When Humble Materials Interact”, The New York Times, Sunday June 9, pg.11 2001 Pincus, Robert L., “Color Charts”, The San Diego Union Tribune, Aug 16, pg.48 2001 Britten, Dawna, “Five New Voices Speak”, Downtown News, San Diego, CA, Aug. 23, pg.11 |
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